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Showing Records: 1 - 20 of 658

1st draft, 2nd rewrite, 1973

 File — Box: 11, Folder: 4
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1973

2 sculptures made of wooden sticks

 Item — Multiple Containers
Series Description From the Series:

This series contains World War I memorablia, material relating The Texas Trilogy, and personal items.

Dates: undated

3rd draft, handwritten, 1975

 File — Box: 15, Folder: 2
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: Copyright: 1975

1920’s Background research notes, undated

 File — Box: 1, Folder: 1-6
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

“A Cloudy Day”

 File — Box: 24, Folder: 2
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

“A Correspondence of Forms”, undated

 File — Box: 30, Folder: 17
Sub-Series Description From the Sub-Series:

This subseries includes drafts and typescripts of four speeches which address Vliet’s writing process and influences. Also included here is the author’s acceptance speech for the 1978 Texas Institute of Letters Award received for his novel, Solitudes.

Dates: undated

“A Fable” Southern Theater News, Fall, 1960

 File — Box: 30, Folder: 12
Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Dates: 1960

"A Friend in Sahara”

 File — Box: 24, Folder: 7
Sub-Series Description From the Sub-Series:

Individual handwritten and typed poems, and hand-bound books of poetry, comprise this subseries. Many of the individual poems are accompanied by drafts, some are single copies. Individual poems are arranged alphabetically, followed by books of poetry, also arranged alphabetically. See also Series 2 : Personal, Subseries C: Scrapbook, for early drafts of poetry.

Dates: undated

“A Friend in the Sahara", 1978, undated

 Sub-Series
Sub-Series Description From the Sub-Series:

Drafts of plays (mostly handwritten in pencil and annotated) and typescripts (mostly mimeographs or photocopies with annotations) are arranged in this subseries in alphabetical order. For reviews and further information regarding the author’s plays, see Series II: Personal, Newsclippings.

Dates: 1978, undated

A Friend in the Sahara (unpublished), undated

 Sub-Series
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: undated

“A Sort of Preface”

 File — Box: 30, Folder: 13
Sub-Series Description From the Sub-Series:

Articles and essays in this subseries relate to Vliet’s own writing process and influences. All are in typescript form and most have handwritten annotations.

Dates: 1960, undated

A Texas Trilogy, Complete, 1973-1979, undated

 Sub-Series
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1973-1979, undated

A Texas Trilogy reviews, programs, invitations

 File — Box: 25, Folder: 11
Series Description From the Series:

This series contains materials on the promotion of Preston Jones' theatrical career especially in regard to the Trilogy. It includes photographs, clippings, reviews, articles, interviews and videotapes, providing information on aspects of the author's life, career, and writing methods.

Dates: 1974-1986

A Young Woman’s Reading

 File — Box: 8, Folder: 4
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: circa 1980s

Accent, 1956 - 1958

 File — Box: 32, Folder: 9
Sub-Series Description From the Sub-Series: Business correspondence relates to Vliet’s writing career, and covers such subjects as writing submissions, editing of works to be published, royalties for published works. Correspondents include various poetry and literary journals, Texas Institute of Letters, the Ford Foundation, and Vliet’s agent, Lucy Kroll, of the Lucy Kroll Agency. Two non-correspondence files were filed by the author with this business correspondence, and are located at the beginning of this group of...
Dates: 1956 - 1958

Accession 2018-012

 Series
Abstract

Donation by Celeste Bedford Walker of her typescript plays, “Distant Voices”, “Sassy Mamas”, “Greenwood: An American Dream Destroyed”, and “Reunion in Bartersville”, included in the collection are synopses, reviews, Walker’s Biography, and her induction into the Texas Institute of Letters, 1983-2017.

Dates: 1925-2017, undated

Accession 2019-039

 Series
Abstract

Additions to the Celeste Bedford Walker archival collection from 1925-2012. The majority of the materials included in the collection are promotional flyers, photographs, correspondence, and newspaper articles relating to Walker’s play, Camp Logan and other plays such as Once in a Wife Time. Also included in the collection are two The New York Times papers from 1925-1926.

Dates: 1925-2017, undated

Actor's copy (L.D.)

 File — Box: 9, Folder: 8
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: 1973-1988, undated

Additional copies, undated

 File — Box: 18, Folder: 8-9
Series Description From the Series: This series is organized into 3 subseries: Unproduced Writings; A Texas Trilogy; and Post-Trilogy plays. Many of the files reflect Mary Sue's filing system but the material has been consolidated and reorganized by play in chronological order. The group Unproduced Writings contains manuscripts of Preston Jones’ unproduced plays. Included is his thesis adaptation of The Night of the Hunter. The three plays of the trilogy in the second subseries were performed together...
Dates: undated

Adolf, Viola Ebel. Lisa’s Texas Grandma. Boerne, Texas: Highland Press, 1963

 File — Box: 2, Folder: 1
Sub-Series Description From the Sub-Series: This subseries very clearly shows Vliet’s process of writing from preliminary research through final product. It includes extensive background research files including files by subject containing clippings from newspapers and magazines, library call slips, color and black and white photographs, and handwritten notes. Following these research files are drafts of chapters handwritten in pencil, annotated typescripts, clean typescripts, and (minimal) correspondence. Perhaps most meticulously...
Dates: Publication: 1963

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